DECEMBER 2018
One Hour Real at MuMa Le Havre (Musée d’art moderne André Malraux)
L’exposition Still que le MuMa consacre à la photographe Trine Søndergaard du 13 octobre 2018 au 27 janvier 2019 réunit deux séries de l’artiste. Interiors montre des manoirs inhabités et Guldnakke des coiffes traditionnelles, deux sujets dont la matière documentaire est savamment mise en scène. Ces images, sous influence picturale, entraînent imperceptiblement l’imaginaire du spectateur vers les territoires de la fiction.
Considérons les films de ce programme comme autant de scènes d’une dramaturgie du réel, d’un réel cinématographique augmenté, parsemé de signes, ponctué d’interstices d’où la fiction peut saillir, provoquant un trouble. De quoi les lieux, les gestes, les choses ainsi devenues images animées, sont-ils le récit ?
Programme :
Arianne Olthaar, Hotel Forum, 2016, 9’40
Miriam Gossing & Lina Sieckmann, One hour real, 2017, 12’40
Fern Silva, The Watchmen, 2017, 10’00
Ana Vaz, Occidente, 2014, 15’15
João Maria Gusmão & Pedro Paiva, Getting into bed, 2011, 2’47’’
João Maria Gusmão & Pedro Paiva, Dream of a ray fish, 2011, 2’48’’
João Maria Gusmão & Pedro Paiva, Wave, 2011, 2’43’’
João Maria Gusmão & Pedro Paiva, Wheels, 2011, 2’33’’
João Maria Gusmão & Pedro Paiva, The horse of the prophet, 2011, 2’02’’
12th December, 6 pm
76600 Le Havre
OCTOBER 2018
Exhibition „WATCH OUT!“
Stiftung imai / KIT – Duesseldorf
Adela Jusic
„Artist’s Statement“ (2010)
Dominik Geis
„The Beauty of It“ (2018)
Miriam Gossing / Lina Siekmann
„Ocean Hill Drive“ (2016)
Max Grau
„‘[…] craving for narrative‘ lässt sich einfach nicht gut übersetzen“ (2015)
Maki Satake
“Remains” (2010)
10/13/2018 – 11/11/2018
Opening : Friday, October 12th , 5 – 10 pm
KIT – Kunst im Tunnel
Mannesmannufer 1b
40213 Düsseldorf
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„Ocean Hill Drive“ as part of – Mélanie van der Hoorn:
„Spots in Shots – Narrating the built Environment in Short Films“
Spots in Shots is based on scientific research and extensive interviews with filmmakers. Which stories do they tell? What are their motives? How can film help improve the communication between architects and the general public? Which issues keep coming up during the creation, distribution and reception of the works?
ISBN 978-94-6208-456-8 | October 2018 | expected |
Mélanie van der Hoorn | design: Joost Grootens | Dutch, English |
hardcover | 21 x 26 cm | 240 pages | illustrated (120 full color) |
with support from: Creative Industries Fund
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AUGUST 2018
ECHO PARK FILM CENTER, LOS ANGELES :
DESERT MIRACLES: FILMS BY GOSSING AND SIECKMANN
WEDNESDAY, AUGUST 8 at 8 PM
Doors 7:30;
$5 admission.
FILMMAKERS IN ATTENDANCE!
Desert Miracles, Gossing/Sieckmann, Germany/USA 2015, 10 Min., 16mm to HD, Color, Stereo
Ocean Hill Drive, Gossing/Sieckmann, Germany/USA 2016, 21 Min., 16mm to HD, Color, Stereo
One Hour Real, Gossing/Sieckmann, Netherlands 2017, 12 Min., 16mm to HD, Color, Stereo
+ One Bonus Film and Q&A
///// ECHO PARK FILM CENTER
1200 N. Alvarado St.
Los Angeles, California 90026
(213) 484-8846
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Kunsthalle Mainz – „Fade into you“
Screening of „One Hour Real“ – Exhibition „Virtual Insanity“
03/08/18—18/11/18
Screening of „One Hour Real“ accompanying the exhibition „Virtual Insanity“ 03/08/18—18/11/18
With works by
Antoine Catala
Cao Fei
Jon Rafman
Jordan Wolfson
Harun Farocki
Eva & Franco Mattes
Refrakt &
Nicole Ruggiero & Molly Soda
Renaud Jerez
Igor Simić
Tabita Rezaire
Lina Sieckmann und Miriam Gossing, One Hour Real, 2017
Jonathan Vinel, NOTRE AMOUR EST ASSEZ PRUISSANT, 2014
Wednesday 22/08
7 pm
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Kunsthalle Mainz
Am Zollhafen 3–5
55118 Mainz
JULY 2018
THE SKY IS SO BLUE, IT’S ALMOST WHITE.
Solo-Exhibition at Labor, Ebertplatz, Cologne.
Solo-Exhibition at Labor, Ebertplatz, Cologne.
08.07. – 23.07. 2018
Opening: 07.07.2018, 7pm
The sky is so blue, it’s almost white, 2018
Video-Installation, 6 min.
16mm to HD, Loop
With support by UdK Berlin, HzT Uferstudios „Capturing Dance“.
Open: Fri – Sat 5 – 7 pm and upon request.
www.labor-ebertplatz.de
Ebertplatzpassage 5
50668 Köln
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JUNE 2018
SCRATCH EXPANDED # 9 – LIGHT CONE PARIS
For the 9th edition of SCRATCH EXPANDED, Light Cone pursues the exploration of expanded cinema forms and practices by inviting artists who will present installations and film performances.
Open-air screenings of 16mm & 35mm experimental films will take place in the Voûtes garden and a video works program will also be presented during the evening.
Screening of „Desert Miracles“
Alongside works by John Smith, Anouk de Clercq, Philip Widmann, and more.
June 16th,
Doors open at 19:30
Les Voutes
19 rue de Frigos
75013 Paris
France
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Kinothek Asta Nielsen presents
„BETWEEN ALFRED HITCHCOCK AND DAVID LYNCH“ –
THE FILMS BY MIRIAM GOSSING AND LINA SIECKMANN“
Screening and Artist Talk
Curated and presented by Louise Burkart and Karola Gramann
Kinothek Asta Nielsen
Program
Desert Miracles, Gossing/Sieckmann, Deutschland/USA 2015, 10 Min., 16mm auf HD, Farbe, Stereo
Home Stories, Matthias Müller, Deutschland 1990, 12 Min., 16mm, Farbe, Ton
Ocean Hill Drive, Gossing/Sieckmann, Deutschland 2016, 21 Min., 16mm auf HD, Farbe, Stereo
One Hour Real, Gossing/Sieckmann, Deutschland 2017, 12 Min., 16mm auf HD, Farbe, Stereo
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13.6.2018, 7:30 pm
Mal Seh’n Kino,
Adlerflychtstraße 6, 60318 Frankfurt am Main
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PORTRAIT
„Miriam Gossing & Lina Sieckmann – Die gemeinsame Arbeit hat uns radikalisiert“
shortfilm.de
Article by Luc Carolin Ziemann.
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25TH CHICAGO UNDERGROUND FILM FESTIVAL // JUNE 6 – 10, 2018
„One Hour Real“ at Chicago Underground Film Festival
Sun, Jun 10th, 2:30 PM @ Logan Theatre, Theater #2
Shorts 8: Decode – Encode – A Code
ADDRESS
2558 W 16th Street, Stage 18
Chicago, IL 60608
MAY 2018
VIDEO BOX 6.2 –
Das Magisch-Reale in den Werken von Gossing/Sieckmann und Erik Levine
24. Mai 2018, 19.00 Uhr,
Haus der Universität Düsseldorf
Schadowplatz 14
40212 Düsseldorf
zu Gast: Miriam Gossing und Lina Sieckmann
kuratiert von Darija Simunovic, M.A.
Die Filmessays von Gossing/Sieckmann wirken durch das subtile Spiel mit der Wahrnehmung und den Sehgewohnheiten des Zuschauers rätselhaft und oft unheimlich. Wie die Werke des US-amerikanischen Künstlers Erik Levine (*1960) beziehen sie sich auf soziale Wirklichkeiten, die in experimenteller Form präsentiert werden. Während Levine seinen Blick auf Situationen aus dem Alltagsleben richtet und dokumentarisches, live aufgenommenes Material verarbeitet, greifen Gossing/Sieckmann auch auf Mittel der Inszenierung und Collage zurück. Beide künstlerischen Positionen verbindet das Herausstellen der Bedeutung der Zugänglichkeit, wobei der Blick auf das Magische, Schöne und oft Übersehene auf den Nebenschauplätzen des Lebens gelenkt wird.
PROGRAMM:
Miriam Gossing/Lina Sieckmann: Ocean Hill Drive (2016), 21 Min.
Miriam Gossing/Lina Sieckmann: One Hour Real (2017), 12 Min.
Erik Levine: Still Lifes (2016), 27:37 Min.
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Internationale Kurzfilmtage Oberhausen
ONE HOUR REAL at 64. Internatioale Kutzfilmtage Oberhausen
Light Cone Distributer’s Screening.
06 May, 22:00, Lichtburg Filmpalast Star
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CAPRI BY NIGHT // Schauspiel Köln
In May 2018 CAPRI BY NIGHT presents SPATIAL SHIFTING
Curated by Lina Sieckmann and Miriam Gossing.
“ The films in the program take the notion of space as a starting point for a diversity of cinematic experiments. Artistic interventions range between subversion, illusion and passivity. Spaces of uneasiness, boredom, flamboyancy and non-compliance. Spaces that do not exist, spaces that are created within editing, spaces reaching out from far beyond. Reshaping the present through a prism of images, the film itself turns into a mystifying architecture.
Spouting, bursting, pretending, shrinking, loitering and absorbing. “
Gossing / Sieckmann
Selected Films:
Johann Lurf – 12 Explosionen, 6 min. // Austria, 2008
Karen Asmundson – Tasman hates the beach, 3:20 min. // Canada, 2016
Sophie Michael – The Watershow Extravaganza, 10 min. // UK, 2016
Arianne Olthaar – Hotel Forum, 9:30 min. // Netherlands, 2016
Mona Kakanj – Window Shopping, 5:30 min. // Iran, 2015
Paul Spengemann – Untitled, 5 min. // Germany, 2015
Matthias Tharang – Per Aspera ad Astra, 5 min. // Netherlands/UK, 2011
Henning Frederik Malz – John’s Desire, 3:50 min. // Germany, 2011
MARCH 2018
Group Exhibition at Dazibao Montréal
March 29th – June 2nd 2018
Opening March 29th, 7pm
Curated by France Choinière for Dazibao, including works by Wojciech Bakowski, Bianca Baldi, Simon M. Benedict, Mareike Bernien & Kerstin Schroedinger, Myriam Bleau, Bojan Fajfric, Miriam Gossing & Lina Sieckmann, Rosalie Jean, Kapwani Kiwanga, Douglas Moffat, Naveen Padmanabha, Jen Reimer & Max Stein, Sofie Thorsen et Marie Voignier.
Dazibao
5455, de Gaspé avenue,
suite 109 (GF)
Montréal (Québec)
Canada H2T 3B3
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Geodesics // March 2nd // 7pm
Screening at aCinema Milwaukee, WI (USA) with Đỗ Văn Hoàng, and Laure Subreville.
// Geodesics // 7:00 pm //
// Woodland Pattern Book Center //
// 720 E Locust St Milwaukee, WI //
FEBRUARY 2018
25.02.2018 //
Kunsthaus NRW Kornelimuenster
Catalogue Release – „reflecting – zeitbasierte kunst aus nrw“ .
With works by Marianna Christofides, Catherina Cramer, Dan Dryer, exc, Fabian Heitzhausen, Elmar Hermann, Tim Gorinski.
Experimental Video Art Exhibition, Thailand
Fine Arts Department, Architecture Faculty,
King Mongkut’s Institute of Technology, Lakabang, 5 – 7 February 2018.
Painting, Sculpture and Graphic Arts Faculty, Silpakorn University (Silpakorn university sanam chandra palace campus),
28 February 2018.
December 2017
Prädikat „besonders wertvoll“ für OCEAN HILL DRIVE
Filmbewertungsstelle Wiesbaden, 12/17
Concept/Lyrics
Susanne Sachsse
With
Vaginal Davis, Susanne Sachsse, Angela Seo, Marc Siegel & Jamie Stewart
Studio Sequence Directors
Miriam Gossing & Lina Sieckmann
Video
Seminar Group of Phil Collins & Tobias Yves Zintel with Noam Gorbat & Ruth Schönegge
Silent Green Kulturquartier Berlin
8th-11th December 2017
Kuppelhalle , 8-10 pm