AUGUST 2019

Souvenir at 25fps Festival Zagreb

15^TH INTERNATIONAL EXPERIMENTAL
FILM AND VIDEO FESTIVAL
26 – 29/09/2019
ZAGREB

https://www.25fps.hr/en/news/competition-programme-of-the-15th-25-fps-festival

JUNE 2019

„SOUVENIR“ at IKFF Hamburg, International Film Festival Edinburgh and Moscow International Experimental Film Festival

Film as a conductor through which to capture and evoke episodes of ritual and transfiguration, visually and sensorially.

A dreamlike excavation of layers of folklore and presence imbued within the landscape, invoked through movement and ancient field recordings; and the process of reclamation of erased cultural narratives conjured by a sequence of potent performative gestures. The transformation of physical artefacts into sacred objects; and a journey taken across the east coast of Taiwan shot on hand-processed Super 8 film sets in motion an exploration of colliding manifestations of spirituality.

MIEFF – Moscow International Experimental Film Festival

„Altiplano“ by Malena Szlam // USA | 2018 | 16 min
„Transformation Scenario“ by Clemens von Wedemeyer // Germany | 2018 | 20 min
„instructions on how to make a film“ // Nazlı Dinçel  // USA | 2018 | 13 min
„Souvenir“ by Miriam Gossing & Lina Sieckmann // Germany | 2019 | 20 min
„People of the Lake“ by Jean-Marie Straub // France | 2018 | 18 min

IKFF Hamburg – International Short Film Festival Hamburg

German Competition 5 –
„Sehnsucht auf Raten“

Freitag, 7. Juni | 19.45 Uhr | Zeise 1
Samstag, 8. Juni | 16.30 Uhr | 3001
Samstag, 8. Juni | 21.15 Uhr | Filmraum

MAY 2019

Dazibao Montréal – BOOK LAUNCH –
— Entends-tu ce que je vois? Do You See What I Hear?

„Images so that we may hear; sounds so that we may see. A willingness to refine our understanding of the world, to extract from the unique relationship of sound and image a meaning that transcends our initial perception of the whole. As though the incompleteness brought forth by the absence, censorship or obliteration of one sense contributes to the making of sense. As though the essence of the matter resides in unfulfilled expectations, or in the avowed lacunae of several of the artworks brought together here.

Watch, listen more closely to catalyze a sharper form of consciousness and an enduring acuity that permit an ever-clearer reading of things and of this world, which, for the first time in history, is called upon to face its precariousness through an incessantly mediated reality.“

Under the direction of France Choinière. Texts by France Choinière, Ronald Rose-Antoinette and Aseman Sabet. Design by Studio TagTeam.

Works by Wojciech Bąkowski, Bianca Baldi, Simon M. Benedict, Mareike Bernien & Kerstin Schroedinger, Myriam Bleau, Bojan Fajfrić, Miriam Gossing & Lina Sieckmann, Rosalie Jean, Kapwani Kiwanga, Douglas Moffat, Naveen Padmanabha, Jen Reimer & Max Stein, Sofie Thorsen, Marie Voignier.

63.00 $ CAD

Authors: France Choinière, Ronald Rose-Antoinette, Aseman Sabet

Design : Studio TagTeam

Under the direction of France Choinière

2019

Bilingual, 280 pages, colour reproductions, perfect binding, acetate cover

ISBN 978-2-922-135-4-80

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„SOUVENIR“
Screenings at Oberhausen, Madrid, Hamburg and Montevidéo

Internationale Kurzfilmtage Oberhausen  –   May 5th 2019, 5pm  – German Competition

Documenta Madrid –  May 11th 2019, 9.30 pm – International Short Film Competition

Cinemateca Uruguay – May 1st 2019, 8 pm

IKFF Hamburg – June 7th 2019, 7.45pm – German Competition

„CHINA LIGHT“ at 26th Chicago Underground Film Festival

Sat, Jun 8th, 8:45 PM @ Logan Theatre, Theatre #4

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March 2019

SOLO – SCREENING AT IMAGE FORUM TOKYO

Short Films by artist duo Gossing Sieckmann
Filmmakers in attendance.

Friday, March 29th, 7pm

February 2019

„Feminism/Theory/Film“ –
Center for Art Research, Eugene (USA)

February 28th – March 1st 2019

Dorothee Ostmeier’s paper will focus on short films by female director duo Lina Sieckmann und Miriam Gossing to explore the cinematographic layers that link the films’ documentary agenda to surreal visual montages and poetic feminine voice-overs. Selected films will be placed in dialogue with Timothy Morton’s concept of the “hyperobject.” Can these films be viewed as aesthetic hyperart/hyperexpression? The theoretical framework will highlight the tensions between the films’ powerful aesthetics and feminine queer desire as they decenter socially ingrained dualisms.

Screening as part of the Conference „Feminism / Theory / Film“ at University of Oregon.
Organized by the Department of German & Scandinavian, this interdisciplinary conference hosted at the University of Oregon’s EMU and Center for Art Research buildings in Eugene brings together scholars from the humanities, women and gender studies, cinema studies, and art fields to explore the intersection of feminist film theory and experimental film making since the 1970s.

Guest speakers from the University of Toronto, Princeton University, Goethe University Frankfurt, University of Alberta, and Université de Tours will join researchers from the University of Oregon to discuss the following key topics: video production as feminist action in the 70s and 80s; (sub)urban housing and domestic spheres; transnational, intersectional, digital and embodied feminisms; materiality, memory, perception.

Department of Art
5232 University of Oregon
Eugene, OR 97403-5232

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Expanding Bauhaus –
New Reflections on the Bauhaus Movement in Time-Based Media Art

14.02.2019 – 16.05.2019

Films
With films of f.e. Niklas Goldbach, Miriam Gossing & Lina Sieckmann, Rachel Rose, Adnan Softic, Rebecca Ann Tess, Dimitri Venkov, Benjamin Verhoeven, Tobias Zielony and Moira Zoitl.

Goethe Institut Rotterdam
Westersingel 9
3014 GM Rotterdam, Niederlande
www.goethe.de/nederland

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JANUARY 2019

Worldpremiere of „Souvenir“
International Film Festival Rotterdam 2019

International Film Festival Rotterdam,
23 JAN – 3 FEB 2019
www.iffr.com

Karel Doormanstraat 278b
3012 GP Rotterdam
The Netherlands

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Stefan Ramírez Pérez, AS MUCH AS ANYONE, 2017, HD video, 17 min, video still, Courtesy of the artist

DECEMBER 2018

„One Hour Real“ at MuMa Le Havre (Musée d’art moderne André Malraux)

L’exposition Still que le MuMa consacre à la photographe Trine Søndergaard du 13 octobre 2018 au 27 janvier 2019 réunit deux séries de l’artiste. Interiors montre des manoirs inhabités et Guldnakke des coiffes traditionnelles, deux sujets dont la matière documentaire est savamment mise en scène. Ces images, sous influence picturale, entraînent imperceptiblement l’imaginaire du spectateur vers les territoires de la fiction.
Considérons les films de ce programme comme autant de scènes d’une dramaturgie du réel, d’un réel cinématographique augmenté, parsemé de signes, ponctué d’interstices d’où la fiction peut saillir, provoquant un trouble. De quoi les lieux, les gestes, les choses ainsi devenues images animées, sont-ils le récit ?

Programme :
Arianne Olthaar, Hotel Forum, 2016, 9’40
Miriam Gossing & Lina Sieckmann, One hour real, 2017, 12’40
Fern Silva, The Watchmen, 2017, 10’00
Ana Vaz, Occidente, 2014, 15’15
João Maria Gusmão & Pedro Paiva, Getting into bed, 2011, 2’47’’
João Maria Gusmão & Pedro Paiva, Dream of a ray fish, 2011, 2’48’’
João Maria Gusmão & Pedro Paiva, Wave, 2011, 2’43’’
João Maria Gusmão & Pedro Paiva, Wheels, 2011, 2’33’’
João Maria Gusmão & Pedro Paiva, The horse of the prophet, 2011, 2’02’’

12th December, 6 pm

OCTOBER 2018

Exhibition „WATCH OUT!“
Stiftung imai / KIT – Duesseldorf

Adela Jusic
„Artist’s Statement“ (2010)

Dominik Geis
„The Beauty of It“ (2018)

Miriam Gossing / Lina Siekmann
„Ocean Hill Drive“ (2016)

Max Grau
„‘[…] craving for narrative‘ lässt sich einfach nicht gut übersetzen“ (2015)

Maki Satake
“Remains” (2010)

10/13/2018 – 11/11/2018
Opening : Friday,  October 12th ,  5 – 10 pm

KIT – Kunst im Tunnel
Mannesmannufer 1b
40213 Düsseldorf

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„Ocean Hill Drive“ as part of – Mélanie van der Hoorn:
„Spots in Shots – Narrating the built Environment in Short Films“

Spots in Shots is based on scientific research and extensive interviews with filmmakers. Which stories do they tell? What are their motives? How can film help improve the communication between architects and the general public? Which issues keep coming up during the creation, distribution and reception of the works?

ISBN 978-94-6208-456-8 | October 2018 | expected |
Mélanie van der Hoorn | design: Joost Grootens | Dutch, English |
hardcover | 21 x 26 cm | 240 pages | illustrated (120 full color) |
with support from: Creative Industries Fund

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AUGUST 2018

ECHO PARK FILM CENTER, LOS ANGELES :
DESERT MIRACLES: FILMS BY GOSSING AND SIECKMANN

WEDNESDAY, AUGUST 8 at 8 PM

///// ECHO PARK FILM CENTER
1200 N. Alvarado St.
Los Angeles, California 90026
(213) 484-8846

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Kunsthalle Mainz – „Fade into you“
Screening of  „One Hour Real“  – Exhibition „Virtual Insanity“
03/08/18—18/11/18

Screening of  „One Hour Real“ accompanying the exhibition „Virtual Insanity“ 03/08/18—18/11/18
With works by

Antoine Catala
Cao Fei
Jon Rafman
Jordan Wolfson
Harun Farocki
Eva & Franco Mattes
Refrakt &
Nicole Ruggiero & Molly Soda
Renaud Jerez
Igor Simić
Tabita Rezaire

Lina Sieckmann und Miriam Gossing, One Hour Real, 2017
Jonathan Vinel, NOTRE AMOUR EST ASSEZ PRUISSANT, 2014

Wednesday 22/08
7 pm

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Kunsthalle Mainz
Am Zollhafen 3–5
55118 Mainz

JULY 2018

THE SKY IS SO BLUE, IT’S ALMOST WHITE.
Solo-Exhibition at Labor, Ebertplatz, Cologne.

Solo-Exhibition at Labor, Ebertplatz, Cologne.
08.07. – 23.07. 2018
Opening:  07.07.2018, 7pm

The sky is so blue, it’s almost white, 2018
Video-Installation, 6 min.
16mm to HD, Loop

With support by UdK Berlin, HzT Uferstudios „Capturing Dance“.

Open: Fri – Sat 5 – 7 pm and upon request.